วันเสาร์ที่ 31 ธันวาคม พ.ศ. 2554

How to Shoot Video of Your Kids Sports Team So That anyone Else Will Watch it!

Break out that video camera, there is a game this weekend!

1. You bought a video camera

Canon 5d Mark 11 Battery

2. You want to shoot sports of your kid

How to Shoot Video of Your Kids Sports Team So That anyone Else Will Watch it!

Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras Best

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Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras Feature

  • Approx. 20% faster recycling time compared to 580EX
  • Superior build quality, including a metal foot for higher rigidity
  • Max. Guide No. 58 at 105mm setting (GN 190, feet)
  • Auto conversion of flash coverage with compatible digital SLR cameras
  • White Balance info communicated instantly to compatible digital SLR cameras

Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras Overview

D1) CANON SPEEDLIGHT 580EX II FLASH


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*** Product Information and Prices Stored: Dec 31, 2011 14:59:45

3. Here is how to do it right!

What a fantastic age of technology we live in. You can buy the greatest gadgets now days to description video and music and play them in all sorts of ways on other great technology gadgets from computers, Dvd's, Mp3 players, Vcr's, and many more. It is all great stuff. But they all come with thick owners manuals that do not all the time get you going the right direction. You may eventually learn to use your great new camera for instance, but that does not mean you will necessarily take pictures that are worth finding at down the road. Rolling tape in your camera is one thing and creating video that is high ability and entertaining is another thing. The goal of this stock is to bring you up to speed with using your video camera (whatever format, and whatever brand) to get the best results for recording those costly moments of your kid's athletic achievements.

We as parents spend fullness of hours out on the field, court, pool, or track watching our kids take part in and compete in youth sports. If you have a video camera you are going to want to description some of these events for posterity and perhaps education. Following the straightforward steps in this guide will help you to capture them in the best potential fashion so that it is watch able but also usable down the road.

My video expertise stems from two decades as a network television cameraman and as a parent with any kids actively involved in youth sports. In my years of shooting video professionally I have been colse to the world and seen just about every type of news event. I also spent 15 years exterior pro sports events for my employer. These were the best type of assignments as far as I was concerned. In my whole career the things I have enjoyed most is being able to go to places where the mean someone cannot. In sports that normally means being on the field, next to the court, in the press box, or in the pit. I have shot football games of all levels up to and along with Nfc and Afc championship games. Living in the Bay Area has allowed me to cover many baseball pennant races and any World Series. I was right behind home plate the night the earth shook in the 1989 World Series. Talk about a shock. I had to give up exterior a World Series in the middle of the two Bay Area teams to go and cover a huge news event. Baseball seemed small for a while after the magnitude of the earthquake. The point in this is that I love sports, have been colse to sports my whole life and I know how to shoot video of sports. With that in mind I will do my best to give you advice on how to do the same.

Gear

Now either you have the newest Dv camera in your hands or an old Vhs format camera there are basic things you will need to keep in mind if you are going to shoot sports. As we say in the video company your camera is only as good as the glass that you hang in front of it. The good the lens the good the results will be no matter what kind of recording format you use. Now you already have a camera in hand and may never have heard this single bit of advice so it is too late to factor it into the equation. However if you have camera in hand and it has any limitations on what it can do due to the lens being less than fantastic there are things you can do to mitigate the situation. We will discuss those things in more information later on.

The key factors before setting out on your game day video assignment are to make sure you know the operating functions of the gear, have a tape furnish in hand (soon to be Dvds with the revolution in gear form that is taking place right now), and batteries fully charged. I know these may seem like the simply sure things but even the pros have to constantly remind themselves to check and duplicate check these items.

A exiguous aside here about preparation. Over the many years of exterior news I learned lots of exiguous tips from other photographers in the field and applied them to my work regimen. In the early days of video we all the time had to carry colse to a portable hair dryer because the description decks would seize up if the moisture levels got to high. So in the winter time if you came in from the cold exterior into a nice warm building the air would condense inside the machine and cause moisture build up. The warning light would come on and bang we were dead in the water. One of us would have to run to the car and get the hair dryer, fire it up and chase the water away from the description heads of the deck. It caused some very funny moments in collective places I can assure you. (This by the way can still be a problem even today with electronics/Vcrs/lenses. Too much moisture can cause havoc. So just remember a portable hair dryer can save your day)

Another thing I learned from others is the value of backup. A few years ago I was out on assignment and we had a young eager college intern along with us in the field. This young man wanted to learn all about what we did in our job. He was very concerned in how to take pictures, unlike most of our interns who only wanted to come to be reporters or anchors. He asked many questions and after finding that he was easily paying concentration I decided to take him under my wing and easily fill him up with information. One tidbit that I shared with him was to all the time have an accident stash of tape in his car when out on assignment. He didn't quite understand the importance of this at first since I had already drilled him about all the time bringing tape stock with him when going out on assignment. I filled him with stories of times when something or other happened and I'll be darned if you didn't need another tape and there under the seat of the car was that accident spare. So anyway he went off to graduate from college and get a job in a small store Tv station. He would send us strengthen reports from time to time, which I easily enjoyed. Then lo and notice one day he sends me a letter telling me how he got into a jam one day on a story and needed that accident tape. He had dutifully tucked one under the back seat and it was there to save the day. I hope that what you learn in this book will in some way keep you from having a video failure down the road. What I learned in my career is that video output is 80% of it is dealing with the curves and problems that are thrown at you and 20% talent. If you can learn to problem shoot then you will all the time be successful.

My first recommendation for shooting your kids sports activities is to go watch Tv. Yes sit down put your feet up and watch some sports on Tv. easily watch how they make it entertaining at the top level. Then watch the news and see how they cover the games from a news perspective. Don't pay concentration to the content; just watch how it develops visually. Now of procedure you can never duplicate what the networks are doing with just your one camera. However if you can glean whatever from watching it should be how they try to bring intimacy with the athletes out in the broadcast. All the new improvements in exterior sports have to do with getting you the viewer as close to the athlete as they can. Bring you into their world. From cameras on wires overhead that swoop along the field to cameras in the net of a hockey game to cameras inside the cars at Daytona, it brings you into the game. Now you cannot stand on the pitchers mound at your kids' baseball game but you can learn some techniques that can make your baseball video more intimate and therefore more compelling to watch.

A side note here, if your task is to capture the whole game or sporting performance for recap as a coaching tool you should focus generally on getting a good high view and putting the camera on a tripod. Pan moderately to effect performance and don't zoom in and out. My main goal here is not to teach you this skill since it is pretty darn basic. However if this is what you are doing you should do it right. Find the right framing to keep as much of the performance in the frame and effect it carefully. Some sports move fast from one end to the other and you will have to be smooth. Resist the temptation to effect the ball on full zoom. You will lose. Those guys that shoot sports on Tv are full on pros using much good gear than you will ever have at your disposal.

Now in order to get a good video of your child's game you need to find that emotion and excitement that exists in any game. Think of it as capturing a few of the things that occur and production those golden. Does the team do a pre game cheer? Get up close, stick your camera wither way up high over their heads finding down or get underneath finding up and shoot it in a way that takes the viewer where they can't go. Capture an at bat in baseball by taking a full pitch cycle in close-up of the pitcher, and then one of the catcher and then as close as you can of the hitter. Show their face if you can. If they get the big hit don't go crazy rushing to zoom out. effect the runner down the line. It will be approximately impossible to effect the ball so stay with the runner. Look for the angles that will give you these emotional shots.

Some sports are more of a challenge due to the size of the field and the estimate of movement up and down the field. Take soccer of instance, if you effect the ball the camera is entertaining all over the place and the viewer gets queasy. To capture some good video of your kid playing you need to focus on exact shots and not try to effect the play. Look for moments such as throw ins, free kicks, kick offs when things are predictable and you can get closer to the action. Walk down the sideline and wait for the performance to come to you. If you child is playing right forward then get ahead of the play and when you see the ball entertaining towards you then you can find you child and roll tape in expectation of them playing the ball. Be sure to get some shots of the crowd cheering, the coach watching (not yelling I hope) the goalie waiting in anticipation.

Hold your shots steady for 6-10 seconds at a time. If you are taking a shot of someone watching the game easily count it out in your head (thousand one thousand two...) This will ensure that you get good solid shots and that you don't run on and on with the shot. Brace your arm against your chest for stability and use your other arm over your belly underneath to create a stabilizing platform. This is in lieu of a tripod of course. If you have a tripod it can all the time be a good thing to use if it does not get in the way.

Use creative angles as much as possible. Get down low and wait for the performance to run by you. Don't pan with it but rather let the performance race through the frame. At a swim meet get the camera down on the deck for more of a swimmers perspective of the action. Of procedure you may not want to stay there when the swimmers approach for a turn. Digital electronics do not like water inside them. I was getting the most awesome low angle shots of some open water ocean swimmers one time and the boat lurched on me and salt water sprayed over the camera. I had a cover on the camera but salt water seeped into the crannies and it caused us much grief getting it cleaned out so as to avoid damaging the electronics of the camera.

How to Shoot Video of Your Kids Sports Team So That anyone Else Will Watch it!Jessie J - Domino Video Clips. Duration : 3.92 Mins.


Music video by Jessie J performing Domino. © 2011 Universal Republic Records, a division of UMG Recordings, Inc.

Keywords: Jessie, Domino, Lava, Music/Republic, Records, Pop, JVEVO

วันศุกร์ที่ 30 ธันวาคม พ.ศ. 2554

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Kata KT D-3N1-20 Sling/Backpack (Black) Feature

  • Easily convert your 3N1 from a right-handed sling to a left-handed sling or a backpack
  • Features "Thermal Shield Technology" to ensure optimal camera protection
  • Included rain cover folds neatly away into an integrated pocket
  • Fast, one handed camera access with "Quick Release Buckle"
  • Waist strap is included to provide maximum comfort to your back when using the 3N1 in backpack mode

Kata KT D-3N1-20 Sling/Backpack (Black) Overview

Why choose between a backpack and a sling when you simply can pick up one of the new Kata 3N1 bags and get the best features of each type of bag? These unique bags provide ultimate freedom designed with three carrying options in one bag: right-handed sling, left-handed sling and backpack. Quick access to a camera has never been faster with a sling that offers a quick release and one-handed bag opening for camera access. Left-handed photographers can celebrate as they discover the first photo bag that can be configured as a left-handed sling. When not in a situation that requires quick camera access, convert the 3N1 into an ergonomic and comfortable backpack. All these product features come in a package that includes the unique combination of protection, light weight and style that has become Kata’s calling card. In sling position, the bag easily swings around from back to front providing quick draw access to your main camera & accessories via a quick release clip with single pull opening of the camera compartment door. In standard backpack position and “X” position (both straps crisscrossed over the user’s chest) you can comfortably carry your equipment for long distance walking when needed. The included balancing hip strap helps take the load of your heavy equipment off your shoulders. The 3N1-20 is designed to fit a D/SLR with mid-range zoom lens attached and 3-4 extra lenses with accessories.


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*** Product Information and Prices Stored: Dec 30, 2011 14:35:17

วันพุธที่ 28 ธันวาคม พ.ศ. 2554

Great Price GGS ProTech for $8.25

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GGS DSLR LCD Optical Glass Screen Protector for Canon EOS 50D 5D Mark II Digital SLR Cameras Feature

  • It is rigid and made of optical glass material, which achieves more than 90% of transmittance (high
  • Only 0.5mm thick with 6 layers of coatings and UV Protection.
  • Optical glass strengthened through special crafting process.
  • Prevent scratches, collisions and moderate impact to the LCD screen.
  • The protector is reusable.

GGS DSLR LCD Optical Glass Screen Protector for Canon EOS 50D 5D Mark II Digital SLR Cameras Overview


GGS LCD screen protector is using ultra thin optical glass and special processing, it is high transparency, anti-scrape, anti-bump, anti-aging and easy to install.

Features:

Easy to Install:

How to remove:

* No trimming required, fit directly on your LCD screen. * Just clean your LCD screen first, peel off the white back of the protector to stick, Done! * Easy to install and bubbles free, unlike plastic protector which always gives you bubbles between the protector and the screen. * No adhesive backing at the LCD screen, only at the border of the film for clearness. * Can be removed and reinstall, without leaving ugly residual on your LCD screen. * Use a thin plastic business card or similar item (the plastic package of this protector could be used as the tool) to slide around the edge of the screen to remove it. * Do not pull or use fingernails to lift the four corners of the screen protector as it may break the glass protector, hurt your fingers and/or damage the camera.


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*** Product Information and Prices Stored: Dec 29, 2011 05:01:34

วันอังคารที่ 27 ธันวาคม พ.ศ. 2554

Great Price Canon 1946B002 for $429.00

Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras Best

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Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras Feature

  • Please see the above description.

Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras Overview

Canon Speedlite 580EX II Flash Light. Canon Speedlite 580EX II Flash Light Further development of canons flagship speedlite has led to the production of the 580 EX II. Newly designed to match with the EOS-1D mark III in terms of improved dust- and water-resistance, body strength, and the ability to control flash functions and settings from the camera menu (EOS-1D Mark III only). Other features include improved communication reliability through its direct contacts, and recycling time is both 20% shorter than the 580EX and is completely inaudible. Features: Approx. 20% faster recycling time compared to 580EX Superior build quality, including a metal foot for higher rigidity Max. guide No. 58 at 105mm setting (GN 190, feet) Auto conversion of flash coverage with compatible digital SLR cameras White balance info communicated instantly to compatible digital SLR cameras Full swivel, 180 in either direction AF-assist beam, compatible with all AiAF points on every EOS SLR Dust- and water- resistance to match the EOS-1D Mark III Dimensions: 4.5"L x 3"W x 5.3"H


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*** Product Information and Prices Stored: Dec 27, 2011 11:50:19

วันอาทิตย์ที่ 25 ธันวาคม พ.ศ. 2554

Great Price Canon 9313A002AB for $5,999.95

Canon EOS-1D Mark II 8.2MP Digital SLR Camera (Body Only) Best

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Canon EOS-1D Mark II 8.2MP Digital SLR Camera (Body Only) Feature

  • 8.2-megapixel CMOS sensor--3:2 aspect ratio the same as in 35mm cameras
  • Compatible with Canon professional EF lenses (except the EF-S line)
  • Continuous shooting 8.5 frames per second at full resolution; rugged, weather-resistant magnesium alloy
  • Supports both CompactFlash Type I and II and Secure Digital (SD) memory cards
  • Powered by rechargeable NiMH battery pack; connects to PCs and Macs via FireWire and USB 1.1

Canon EOS-1D Mark II 8.2MP Digital SLR Camera (Body Only) Overview

2/8/200615-19-32. Canon

Canon EOS-1D Mark II 8.2MP Digital SLR Camera (Body Only) Specifications

Canon's EOS-1D Mark II (successor to the original EOS-1D) is the ultimate professional digital SLR. Nearly doubling its predecessor's resolution to 8.2 megapixels, it also offers an improved shooting buffer for continuous shooting 8.5 frames per second at full resolution--making it the world's fastest digital SLR (as of January, 2004). It also features a faster DIGIC II imaging engine, a rugged yet lightweight weather-resistant magnesium alloy construction, capability for custom and personal presets, and dual storage slots for CompactFlash and Secure Digital cards.

Optics and Resolution
Canon's newly developed single-plate CMOS sensor with 8-channel reading technology delivers exceptional image quality, with approximately 8.2 million effective pixels (8.5 million total pixels) and a generous 28.7 x 19.1mm image size. The sensor's 3:2 aspect ratio is the same as in 35mm cameras, and the sensor's large size realizes an effective angle of view that's just 1.3 times the focal length indicated on Canon EF lenses. It features 3504 x 2336, 3104 x 2072, 2544 x 1696, and 1728 x 1152 pixel resolution settings.

A new on-chip noise elimination circuit eradicates fixed pattern and random noise. A low-pass filter placed in front of the sensor reduces false color and moire effects, while the infrared filter suppresses red fringing caused by sensor reflections and fog.

RAW processing
New Digital Photo Professional image processing software is provided for high-speed processing of lossless RAW files. It enables real-time display and immediate application of adjustments to images and includes a wide array of RAW, TIFF, or JPEG image editing functions, which give control over variables such as white balance, dynamic range, exposure compensation and color tone. It supports sRGB, Adobe RGB, and Wide Gamut RGB color spaces.

Digic II Imaging Processor
Canon's newly developed, state-of-the-art DIGIC II imaging engine achieves super high speed processing that results in continuous shooting of 8.2-megapixel images at 8.5 fps in maximum bursts of 40 (JPEG format) or 20 (RAW format) shots. By handling larger volumes of image data, DIGIC II also contributes to lower power consumption: up to about 1,200 shots can be taken on a full battery at 20 degrees C, or around 800 shots at 0 degrees C.

More Features
The new 230,000-pixel, 2.0-inch color TFT LCD offers nearly twice the resolution of monitors on other EOS digital models, nearly 100% coverage of JPEG images, and a new bolder typeface that simplifies reading of text menus. Photos displayed on the LCD monitor can be magnified from 1.5X to 10X in 15 increments, allowing you to check the focus and exposure of images with high precision.

You can easily tailor the EOS-1D MARK II to meet your own specialized needs:

  • 21 Custom Functions with 67 settings include the removal of the ISO speed extension setting to the ISO speed extension menu, the addition of new E-TTL averaged autoflash metering, and the inclusion of AI Servo continuous shooting, which was previously a Personal Function.
  • 25 Personal Functions can be installed in the camera at any time, via driver software, to meet high-level customization needs. New features include the ability to append data for data verification and the ability to apply the Quick Control Dial's ON/OFF switch to the Main Dial to prevent accidental changes to settings when shooting remotely with EOS Capture.
Other features include:
  • Images can be recorded in the JPEG image format, the RAW image format, or both formats simultaneously.
  • Seven Color Matrix settings are provided for JPEG and RAW images, including five factory presets that were previously available and two new settings that allow independent user adjustment of color space, color saturation, and color tone within a prescribed range.
  • ISO speeds are selectable in 1/3 increments (100-1600) and may be set as low as 50 or as high as 3200 through the ISO extension menu.
  • It offers 10 selectable white balance modes and a new WB Compensation function, which allows adjustment of blue/amber and magenta/green biases in +/-9 steps, as well as combined use of light-balancing (LB) and color-correction (CC) equivalent digital color filters.
  • Canon's improved Evaluative Through-The-Lens (E-TTL) Autoflash system offers new averaged metering in addition to the evaluative metering available on other EOS models.
  • Designed as a serious tool for professionals, the EOS-1D MARK II offers rigid magnesium alloy in the chassis and external covers (top, front, rear and memory card slot cover).

Lens Compatibility
Canon's lineup of professional EF lenses--including over 50 models ranging from 14mm ultra-wide-angle to 1,200mm super-telephoto--are compatible with the new EOS-1D Mark II (except the EF-S line). Canon's sophisticated electronic lens mount technology communicates with the camera as soon as the lens is mounted to transfer information about the lens, such as its type, f-number and focal length, thus enabling faster, more precise control from the camera.

EF lenses offer professional capabilities that meet wide-ranging needs, including such features as an Ultrasonic Motor that silently drives the autofocus mechanism with very high precision, an Image Stabilizer that automatically compensates for camera shake via microcomputer, advanced aspherical optics, fluorite lenses, Ultra Low Dispersion (UD) lenses, and Super UD lenses.

Storage and Transfer
The EOS-1D Mark II offers support for both CompactFlash Type I and II (making it MicroDrive compatible) and Secure Digital (SD) memory cards. Images can be recorded on a CompactFlash card or SD memory card alone; on both cards at the same time as a safeguard against losing important data; or on both cards, one at a time, to maximize storage capacity. It connects to PCs and Macs via FireWire (also referred to as IEEE1394, or i.Link) and USB 1.1 (which activates PictBridge printing capabilities).

Power and Size
The camera is powered by a rechargeable NiMH (nickel metal hydride) battery pack (NP-E3, included); it also requires one CR2025 for date and time settings. It measures 6.1 x 6.2 x 3.1 inches and weighs 43 ounces (camera body only without batteries; battery adds 11.8 ounces).

What's in the Box
This package includes the EOS-1D Mark II digital SLR camera body, rechargeable NiMH battery (NP-E3), AC adapter (DCK-E1), CR2025 battery, and USB and FireWire (IEEE1394) cables. The CD-ROM includes EOS Viewer Utility software for faster image preview, and Digital Photo Professional software for high-speed processing and handling of RAW images. It is compatible with over 60 Canon EF lenses (excluding EF-S lens) and the entire Canon EX series Speedlite flash range.


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*** Product Information and Prices Stored: Dec 26, 2011 09:46:34

วันเสาร์ที่ 24 ธันวาคม พ.ศ. 2554

Check Out Premium Tech PT-LPE6 Battery with Charger for Canon LP-E6 + Accessory Kit for EOS 5D Mark II Digital SLR Camera

Premium Tech PT-LPE6 Battery with Charger for Canon LP-E6 + Accessory Kit for EOS 5D Mark II Digital SLR Camera Quality Best

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Premium Tech PT-LPE6 Battery with Charger for Canon LP-E6 + Accessory Kit for EOS 5D Mark II Digital SLR Camera Feature

  • KIT INCLUDES 2 PRODUCTS -- All Brand New Items with all Manufacturer-supplied Accessories + Full USA Warranties:
  • <#1> Premium Tech PT-LPE6 Battery with Charger for Canon LP-E6 PLUS +
  • <#2> Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit

Premium Tech PT-LPE6 Battery with Charger for Canon LP-E6 + Accessory Kit for EOS 5D Mark II Digital SLR Camera Overview

Kit includes:
♦ 1) Premium Tech PT-LPE6 Battery with Charger for Canon LP-E6
♦ 2) Precision Design Deluxe 6-Piece Lens & Digital SLR Camera Cleaning Kit

The Premium Tech PT-LPE6 Charger plugs directly in to your wall outlet or your car's cigarette lighter and charges the included LP-E6 battery in approximately 60 to 90 minutes. Its unique flat pin, foldable design allows easy storage and makes it the most compact battery charger on the market!

This 6-piece cleaning kit contains everything you'll ever need to properly clean your lenses, including a Hurricane Air Blower, Lens Cleaning Tissues, Lens Cloth, Lens Cleaning Liquid, Brush and Cotton Swabs.


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*** Product Information and Prices Stored: Dec 25, 2011 05:09:33

วันศุกร์ที่ 23 ธันวาคม พ.ศ. 2554

Check Out Canon EOS 5D Mark II Digital SLR Camera + Huge Battery, Flash & Tripod Accessories Package

Canon EOS 5D Mark II Digital SLR Camera + Huge Battery, Flash & Tripod Accessories Package Quality Best

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Canon EOS 5D Mark II Digital SLR Camera + Huge Battery, Flash & Tripod Accessories Package Feature

  • Canon EOS 5D Mark II SLR Digital Camera body (Includes manufacturer's supplied accessories)
  • + 2 Extended Life Batteries + Battery Charger
  • + 8 GB Memory Card + Card Reader + Tripod
  • + Carrying Case + Starter Kit + Digital Flash
  • 21.1 Megapixel Full-Frame Sensor, 3.0" High Resolution LCD Display,
  • Live View Mode, 1080p Movie Mode, Dust & Weather-Resistant, Self Cleaning Sensor, Broad ISO Range (50-25600), 3.9 fps Burst Mode

Canon EOS 5D Mark II Digital SLR Camera + Huge Battery, Flash & Tripod Accessories Package Overview

The Canon EOS 5D Mark II improves upon the EOS 5D by increasing the resolution by about 40% to 21.1 megapixels and adds a Live View feature that allows users to preview shots on the camera's high resolution 3.0" LCD display. It even incorporates the ability to record full motion HD Video with sound, so you can capture the action as well as superb images.

The camera's 21.1MP, full-frame 35mm-format (24x36mm) CMOS sensor captures image files with incredible image quality and color accuracy, as either JPEG, RAW and RAW+JPEG files. The camera also incorporates Canon's acclaimed DIGIC 4 imaging processor that works in concert with a high-speed DDR-SDRAM buffer to ensure quick performance and fast image processing times. Performance enhancements enabled by the DIGIC 4 processor include an incredibly fast full-resolution frame rate of up to 3.9 fps, improved battery life, noticeably improved image quality at all ISO sensitivities, fast start-up and reaction times, and improved noise suppression at ISO sensitivities ranging from ISO 100 to ISO 6400, plus the camera's sensitivity is further expandable to a range of ISO 50 to ISO 25600.

The Canon EOS 5D Mark II incorporates a high-fidelity (920,000 dot) 3" LCD screen and includes a 'Live View' feature that permits the user to frame their shots on the LCD display, and adds framing functions that are not possible with a traditional SLR viewfinder, including the ability to zoom in and navigate the preview image to ensure proper focus, and a grid overlay to assist in proper composition.


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*** Product Information and Prices Stored: Dec 24, 2011 01:13:44

วันพฤหัสบดีที่ 22 ธันวาคม พ.ศ. 2554

Check Out Canon BG-E6 Battery Grip for Canon 5D Mark II Digital SLR - Retail Package for $235.95

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Canon BG-E6 Battery Grip for Canon 5D Mark II Digital SLR - Retail Package Feature

  • Canon Branded Retail Package
  • With two packs, the already-impressive battery life is doubled, compared to using a single LP-E6 pack in-camera.
  • Especially for extended use of the EOS 5D Mark IIs movie mode or Live View, the BG-E6 is an outstanding accessory.
  • Many users find the battery grip can enhance camera handling, especially for shooting vertical pictures.

Canon BG-E6 Battery Grip for Canon 5D Mark II Digital SLR - Retail Package Overview

Canon BG-E6 Camera Battery Grip. Canon BG-E6 Camera Battery Grip The canon battery grip BG-E6 allows users to load a choice of one or two LP-E6 battery packs. This is especially useful when taking advantage of the cameras movie mode or live view mode - operating modes that use more power. With two packs, the already-impressive battery life is doubled, compared to using a single LP-E6 pack in-camera. Furthermore the BG-E6 provides full vertical shooting controls, which can be independently turned on or off as the photographer needs to enhance camera handling, especially for shooting vertical pictures. Features: Allows extended shooting AF/FE lock AF point selection Shutter-release controls Exposure compensation button Dimensions: 3"L x 5.9"W x 4.5"H


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*** Product Information and Prices Stored: Dec 23, 2011 00:25:25

วันพุธที่ 21 ธันวาคม พ.ศ. 2554

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Canon 5D Mark II Digital SLR Camera with Canon 28-135mm lens + Canon Deluxe Camera Kit Quality Best

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Canon 5D Mark II Digital SLR Camera with Canon 28-135mm lens + Canon Deluxe Camera Kit Feature

  • Canon EOS 5D Mark II 21.1 MP Digital SLR Camera
  • Canon 28-135mm IS USM Lens + Canon 75-300mm Zoom Lens + 2x Telephoto Lens
  • .40x Wide Angle Fisheye Lens + 500mm Mirror Lens + +1,+2,+4,+10 Macro Close Up Kit
  • 2 UV Filters + 2 PL Filters + 8 GB Memory Card + Extra Battery
  • Holster Case + Camera Bag + 57" Tripod + 3 Year Warranty

Canon 5D Mark II Digital SLR Camera with Canon 28-135mm lens + Canon Deluxe Camera Kit Overview


Kit Includes:

1. Canon EOS 5D MARK II admirable performance with 21.1 Megapixel full-frame CMOS sensor with DIGIC 4 Image Processor. Large 3-inch LCD monitor with DIGIC 4 Technology. EOS technologies like Auto Lighting Optimizer and Peripheral Illumination Correction. It can shoot up to 3.9 fps, has 9 AF points plus 6 AF assist points, and a new 98% coverage viewfinder.

2. Canon 28-135mm IS USM Lens is an all purpose zoom wide angle lens which is great for portrait photography. It allows you to take sharp handheld shots even in low-light conditions.

3. Canon 75-300mm Zoom Lens is great for outdoor, sports, portraits and distance photography. Allows you to zoom in and never miss a shot.

4. 2x Telephoto Lens doubles lens zoom capacity. Perfect for sporting events, distance, and outside shots. Includes Protective lens case.

5. .40x Super Wide Angle Fisheye Lens helps you create a curved effect or flat effect while zooming high image quality and speed. Great lens to use to photograph scenery.

6. Rokinon 500mm Telephoto Mirror Lens is great for long distance shots. Camera lens perfect for wildlife and sports photography.

7. +1,+2,+4,+10 Close Up Macro Kit helps maintain resolution and picture clarity. Magnifying image size plus. Double-threaded allowing you to combine them to achieve increased magnification. Ideal for detailed shots on small items.

8. (2) UV Filters

9. (2) Circular Polarizer Filters

10. 8GB Memory Card

11. Extra Battery

12. Holster Case

13. Camera Bag

14. 57" Tripod

15. 3 Year Celltime Warranty Repair Package


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*** Product Information and Prices Stored: Dec 21, 2011 18:48:31

วันจันทร์ที่ 19 ธันวาคม พ.ศ. 2554

Check Out Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens

Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens Quality Best

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Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens Feature

  • 21.1-megapixel full-frame CMOS sensor, 14-bit A/D conversion, wide range ISO setting 100-6400
  • Includes Canon EF 24-105mm f/4 L IS USM lens
  • DIGIC 4 Image Processor; high-performance 3.9 fps continuous shooting; Live View Function for stills
  • Full HD video capture at 1920x1080 resolution for up to 4GB per clip ; HDMI output
  • Updated EOS Integrated Cleaning System specifically designed to work with a full-frame sensor

Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens Overview

Compact, lightweight with environmental protection, EOS 5D successor boasts a newly-designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames. Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps -- for amazing quality footage with outstanding levels of detail and realism. The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.

Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens Specifications

Compact, lightweight with environmental protection, EOS 5D successor boasts a newly designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames.

Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps -- for amazing quality footage with outstanding levels of detail and realism.

The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full-frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.

Other improvements to the EOS 5D include:

  • Addition of Canon’s EOS Integrated Cleaning System, with a new Fluorine coating on the low-pass filter
  • Larger 3.0-inch Clear View LCD with VGA resolution, a 170-degree angle of view and anti-reflective coatings
  • Improved menu system including Quick Control Screen for more direct access to common settings
  • Automatic peripheral illumination correction, utilizing detailed EF lens information to optimize JPEG images straight out of the camera
  • Magnesium alloy construction with additional environmental protection
  • UDMA memory card compatibility
EOS 5D Mark II Highlights

New CMOS sensor
The EOS 5D Mark II’s newly designed full-frame 21.1-megapixel CMOS sensor features ISO sensitivity from 100-6400, expandable to 50, 12,800 and 25,600. Large 6.4µm2 pixels have been redesigned to capture more light and yield a better signal to noise ratio to ensure lower noise images throughout the ISO range. The full frame sensor has the same dimensions as a frame of 35mm film. This means that wide-angle lenses stay wide, without the change in angle of view associated with smaller sensor cameras. As well as benefiting from finer control over depth of field, photographers moving up to the EOS 5D Mark II’s full frame format will find the newly designed wide, bright 98 percent coverage viewfinder on a joy to work with.

New DIGIC 4 processor
A new DIGIC 4 processor combined with 14-bit analogue to digital conversion provides smooth gradations in mono-tonal areas such as skies, and highly accurate color rendition. As well as HD movie shooting, DIGIC 4’s high speed provides for long uninterrupted continuous bursts of large JPEGs, near-instant start-up times and immediate and fast review after shooting. DIGIC 4 also provides for improved noise reduction algorithms, complementing the already low-noise images from the EOS 5D Mark II’s CMOS sensor.

HD video capture
The EOS 5D Mark II is Canon’s first DSLR to incorporate full HD 1920x1080 video capture. Once filming is started from Live View mode, photographers can fire off either single of continuous stills, with video capture continuing after the final frame is captured.

See everything
A new 3.0-inch VGA resolution LCD provides a wide 170 degree angle-of-view, providing plenty of clarity for accurate focus checks in playback. The screen brightness can automatically adjust to suit viewing conditions, extending battery life in low light and improving viewing in bright conditions. A new dedicated Live View button switches modes to display a real-time image on the LCD. This allows EOS 5D Mark II photographers to enjoy simplified shooting from awkward angles. Simple connection to a PC provides easy remote shooting.

Precision focus and metering
A 9-point auto focus system is supported by 6 additional invisible Assist AF points, located inside the spot-metering circle to optimise subject tracking performance in AI SERVO AF mode. For accurate exposure readings in tricky lighting conditions, the spot metering circle covers just 3.5 percent of the frame.

Control
The EOS 5D Mark II’s redesigned menu system includes a new Quick Control screen, for instant access to the most commonly changed settings. A new Creative Auto mode allows photographers to cede control of key settings to the camera, while retaining control over creative variables such background blur, drive mode and image brightness. Custom user settings allow photographers to switch between two completely different camera setups. This is ideal for changing quickly between two different environments, such as switching from working inside a church without flash to outdoors with fill-flash at a wedding.

Optional Accessories
Shooting flexibility is enhanced with a range of new accessories. Shooting capacity can be extended with either the high-capacity 1800mAh lithium-ion Battery Pack LP-E6, or Battery Grip BG-E6.

A new optional Wireless File Transmitter
The WFT-E4 offers external HDD and GPS compatibility along with ability to transmit images direct to computer or FTP server, or operate the camera wirelessly. Both the BG-E6 and WFT-E4 feature a vertical orientation shutter release and other key controls for comfortable portraiture work, with a substantial grip to help balance the camera when used with long lenses.

What's in the Box
  • EOS 5D Mark II Body
  • Canon EF 24-105mm f/4 L IS USM lens
  • Eyecup Eb
  • Wide Neck Strap EW-EOS5DMKII
  • Stereo Video Cable STV-250N
  • USB Interface Cable IFC-200U
  • Battery Charger LC-E6
  • Battery Pack LP-E6
  • EOS Digital Solution Disk
  • Software Instruction Manual


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*** Product Information and Prices Stored: Dec 20, 2011 10:21:30